Finally after a long process, my new book with Gary West is out!
The book came initially out of the 2014 conference we ran here at Newcastle University–Understanding Scotland Musically, supported by the AHRC.
The final book has 19 chapters with some great contributions:
1 | Understanding Scotland Musically Simon McKerrell & Gary West | |
Policy & Practice | ||
2 | Traditional music and cultural sustainability in Scotland Simon McKerrell | |
3 | ‘A sense of who we are’: The cultural value of community-based traditional music in Scotland Josephine L Miller | |
4 | The emergence of the ‘traditional arts’ in Scottish cultural policy David Francis | |
5 | ‘Eun Bheag Chanaidh’ Where the Gaelic arts and non-traditional theatre meet: a Song Discussion Fiona J. Mackenzie | |
6 | Referendum Reflections: Traditional music and the performance of politics in the campaign for Scottish independence Mairi McFadyen | |
Porosity, Genres, Hybridity | ||
7 | The changing nature of conceptualisation and authenticity among Scottish traditional musicians: traditional music, conservatoire education and the case for post-revivalism Joshua Dickson | |
8 | Slaying the Tartan Monster: Hybridisation in recent Scottish music Meghan McAvoy | |
9 | ‘It Happens in Ballads’: Scotland, utopia and traditional song in The Strange Undoing of Prudencia Hart Stephe Harrop | |
10 | The problem with ‘traditional’ David McGuinness | |
11 | Salsa Celtica’s great Scottish Latin adventure – an insider’s view Phil Alexander | |
Home and Host | ||
12 | Distant voices, Scottish lives: On song and migration M. J. Grant | |
13 | The Globalization of Highland Dancing Patricia H. Ballantyne | |
The past in the present | ||
14 | Locating identity in the aural aspects of Thomas Percy’s Reliques of Ancient English Poetry: A bibliographic perspective Danni Glover | |
15 | Routes, roles and folk on the edge: Scotland’s instrumental music through the revival lens Stuart Eydmann | |
16 | Links with the past in the present-day performance of Scottish fiddle music; or, the historicity of tradition Ronnie Gibson | |
17 | Wynds, vennels and dual carriageways: the changing nature of Scottish music Karen E. McAulay | |
18 | Understanding Scotland musically: Reflections on place, war and nation Gary West | |
19 | Afterword Simon Frith |
The first couple of chapters are available to read for free for a limited time on the Routledge link above. Many thanks to Gary, and to all the authors who have contributed, I think it’s a really strong contribution to Scottish traditional music and quite a forward looking set of essays. I’d love to hear back from any readers!